DM240

24″ 10 比特 LCD 实时调色监视器

>尊正DM240是一款实时调色监视器,可对LUT实时处理与刷新,是最有效率和完整的现场调色管理解决方案之一,在NAB2017获得两项最佳产品奖(Best of Show TVTechnology和Best of Show Digital Video)。
DM240适用于对色彩要求最严苛的电影及广播电视领域,包括前期拍摄和后期制作。


“ DM240是一款耐用、轻巧、便捷的主监级监视器。它是业内领先的高速处理模式,全机身采用金属外壳,以及最先进的功能设置使DM240成为从前期制作到后期处理的理想选择。”

  • 24英寸宽色域的LCD面板,分辨率1920 x1200 ,色深10比特(10.73亿色)
  • 图像处理12比特
  • 含多种信号输入接口,3G/Dual-Link/HD/,两路SD-SDI、DVI-D、DP、USB A型、USB B型
  • 两路SDI环出, 两路MON监看输出(可显示应用了LUT的调色画面)
  • 内置第三代色彩保真引擎CFE3, 采用复杂的171717(4931点)校正LUT和DIT LUT(风格化LUT)运算,可精确地还原色彩及有效地管理色彩风格,色彩空间可选Rec709、 EBU、 SMPTE-C、 DCI P3、 Rec2020 Emulation*、 Native Wide Gamut、“USER1”、“USER2”、“USER3”。
  • 采用了全新的零延迟处理模式,实现了在片场、工作室和后期制件中的瞬间视频处理速度。
  • 可直接与Pomfort的LiveGrade Pro或QTAKE等主流现场色彩管理软件配合使用,在现场进行实时调色,还可以同时把调色后的素材和原始素材通过HDMI、SDI信号环出给其他设备。
  • DM240具有信号交叉转换功能,可以把 HDMI或者 DVI输入信号转换为SDI信号输出。
  • 可通过有线、WIFI连接一台或者多台DM240监视器,将调色的画面通过SDI信号直接分享给下游的显示设备,这在将信号传递给现场团队的其他不支持3D LUT的显示设备时尤其有用。
  • 从NTSC/PAL 到 HD / 2K,包括XYZ 4:4:4 12Bit、RGB 4:4:4 12Bit、YCbCr 4:4:4 12Bit、YCbCr 4:2:2 12Bit等信号格式。DM240几乎兼容所有3Gbps SDI信号而且能够进行多种监看模式。
  • 加载DIT LUT功能,用户可同时保存16路不同的3D LUT文件到监视器,然后直接通过上下键进行即时切换,监视器可直观的显示加载不同的预制LUT后的效果。
  • 十六种模式的波形显示(亮度波形,矢量波形,HUE波形,RGB显示,GBR显示,RGB重叠,YRGB峰值柱状显示,直方图,色彩直方图,RGB直方图,YCbCr,YCbCr重叠,音频相位表,垂直音频电平表,水平音频电平表,音频响度)
  • 4K显示功能可直接显示两路3G-SDI输入的4K信号
  • 画中画功能,两路信号同时监看,可以是不同的格式、分辨率、帧速率、甚至是不同的输入类型同时显示进行对比。并且可以同时显示加载LUT后的效果(包括DIT LUTs和校正LUTs)
  • 视频数据功能可在窗口中逐点显示光标选中区域的视频数据值。窗口以网格形式显示18×10 个像素点的RGB或者YCbCr 值
  • CIE Scope功能,可以在CIE1931、CIE1976 色度图中显示当前画面的颜色分布。
  • 亮度着色功能的曝光值显示
  • 高级测光表功能(8Bits / 10Bits / CIE)
  • 画中画静止框(子窗口)
  • 辅助聚焦(用红色来标识测光和高光模式下的聚焦区域)
  • 像素放大(对高清信号每个部分进行高质量放大)
  • 可对标清、高清和电影(2K)格式进行1:1的像素显示
  • 时码显示( VITC 1, VITC2, LTC )
  • 多种常用标记、客户定制标记及安全区域功能
  • 用户自定义标记功能
  • C-Log / S-Log / S-Log2 / S-Log3 / BMD-Log监视模式
  • 单反放大模式完美支持单反相机的高清拍摄
  • CX Scale连接ARRI Codex录像机的监视输出口时,只显示高清信号的有效图像部分,截去了周围的黑色部分
  • 有效图像边界标记AFD(Active Format Description)
  • HD Anamorphic De-Squeeze (1.3x, 2.0x, 2.0xMag)
  • H/V 延迟
  • 交叉影线
  • 蓝分量/绿分量/红分量
  • 黑白模式/黑色细节模式
  • 过扫描/欠扫描
  • Rec. Status Tally用于SDI辅助数据中插入开始/停止记录信号的摄像机
  • 机身前后壳均有Tally灯指示
  • 远程遥控Tally灯(红色/绿色/琥珀色)
  • 内置音频解嵌功能
  • 16通道音频表
  • 色温选择(3200K/5000K/5600K/6500K/9300K)
  • 伽玛选择(1.0~2.8)
  • 亮度选择(标准/演播室/户外/自定义)
  • 分辨率/帧率自动检测和输入源指示
  • 标清比例选择(宽屏/4:3)
  • 视频制式可选电影/电视/自动
  • 视频处理可选极速模式/普通模式/降噪模式
  • psF隔行/逐行显示
  • 3G 3G Level B可选Stream1, Stream2, PAP, PIP, POP, 垂直分割,水平分割,重叠,3DLineByLine, 3DCheckboard, 3D Disparity
  • 可以对所有输入信号(复合、分量、DVI、HDMI、VGA、SDI)做波形监测和视频检测
  • 非法信号检测和报警功能。可以对亮度超标、色彩超标、静音、黑场等信号进行实时监测,出现非法信号可在屏幕上报警,如果有联网环境同时会在监测终端显示报警信息。
  • 屏幕报警(IRE临界值,RGB报警,信号丢失,静音等)
  • 基于柯尼卡美能达、Photoresearch、KLEIN等专业级色彩分析仪的精确的日常色彩校正(包括色域、亮度、Gamut、白平衡、色温、灰阶、白点)。也支持基于C5、spyder等民用级别的粗略的白平衡校正(不建议)。保证您始终看到真实的色彩。可与业内主流校正软件直接交互使用,如应用完全授权版本的CalMAN Studio及LightSpace CMS色彩管理软件,轻松获得准确的基于3D LUT的校正结果。
  • AC ( 100~240 V ) ,DC ( 12-24V 4PIN XLR )
  • 压铸铝机壳


Perfect Companion to the XM310K or XM311K

The DM240 uses an SDR version of the backlight technology found in the XM310K and XM311K with a very similar spectral power distribution. This means that the DM240 is an exceptional perceptual match to these HDR monitors. For Dolby Vision Mastering and other HDR workflows requiring monitoring of both HDR and SDR signals the DM240 allows you to confidently compare signals knowing that the differences you see between HDR and SDR monitors are attributable primarily to the grade and not caused by fundamental differences in technology type.

色彩管理

尊正第三代色彩保真引擎(CFE3)可承载多达4,913点(173)校正及多个DIT风格化LUT,更准确地还原色彩,且更有效地管理多种风格。可简便地选择Rec709、EBU、SMPTE-C、DCI P3、Rec2020 *(模拟)、原生宽色域及自定义色彩空间。DM240还具有多种伽马、峰值亮度和色温功能。

* 未完全覆盖Rec2020全部色彩空间。

校正

尊正监视器出厂时已经过校正,用户如有校正需求,可将监视器寄送至尊正公司,我司将免费为用户提供校正服务。
用户也可通过LightIllusion公司的LightSpace CMS 或SpectraCal公司的CalMAN等高级色彩管理解决方案来进行3D LUT校正,操作简单便捷。

Software Integration

Powerful DM series features are supported by select applications including FSI’s DM Series IP Remote Utility, Pomfort’s LiveGrade Pro, QTake’s Grade Module, FireFly Cinema’s FirePlay and FireDay, and Filmlight’s Prelight.


On-set Color Management

Real-time LUT updates using compatible software without the need for additional standalone LUT management hardware. All you need is a camera, computer, and a monitor.

ScopeStream

The world’s first real-time Waveform and Vectorscope transmitted directly from your monitor to your computer with no additional equipment needed.

Frame Capture

Capture and save full resolution reference still frames from incoming video signals.

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Mac and PC compatible zunzheng IP Remote Utility.

DIT LUTs

上传并存储多达16个3D DIT LUTs,并可使用监视器面板的上下键快捷地在不同的LUT之间切换。

多屏输出

Mirror what you see on screen to downstream equipment. Apply LUTs on DM Series monitors and other downstream monitors simultaneously.
Second screen outputs work in addition to standard loop through outputs allowing you to simultaneously output clean and manipulated images.

零延时模式

Zero Delay Fast Mode makes DM Series monitors an ideal choice for applications requiring instantaneous video processing speed in on-set, studio, and post environments.

When activated, the total latency between receipt of signal and onscreen display is less than 1 field.

See what functions are available with Fast Mode enabled.

图像旋转

DM Series monitors are capable of multiple Image Flip modes. You can quickly toggle through available modes including: Vertical, Horizontal, and Vertical + Horizontal.
Image Flip works on all inputs and is mirrored downstream via second screen output.

信号交叉转换

DM系列是尊正首批具备信号交叉转换功能的监视器,可接收DisplayPort / HDMI / DVI信号,并能将其转换为SDI输出。


DM240
新功能 更强大

第三代辅助聚焦

When activated this feature will highlight in focus areas with a trace color. The sensitivity of the focus assist feature can be adjusted using the H POS rotary knob. The weight (transparency) of the focus assist feature can be adjusted using the V POS Rotary knob. The color of the focus assist trace can be adjusted using the REF POS rotary knob. Select from White, Black, Red, Green, Yellow, Blue, Magenta, and Cyan.

Advanced Real Time Waveform & Vectorscope for DM Series Monitors

DM Series Monitors have Real Time Waveform and Vectorscope that update every frame. Scope position, background, size, and scale can be adjusted independently using the rotary knobs on the face of the monitor. Real Time scopes work in all processing modes including Zero Delay Fast Mode.


HDR waveform monitor view for use with PQ signals.

User selectable graticule modes: IRE, Voltage, 10bit Digital Levels, HDR WFM.

Use concurrently with markers or timecode.

User selectable graticule modes: IRE, Voltage, 10bit Digital Levels, HDR WFM.

Transparent, Translucent, or Solid background.

User selectable graticule modes: IRE, Voltage, 10bit Digital Levels, HDR WFM.

Customizable Multi-Color Waveform

Real Time Waveform has 6 adjustable thresholds that can be individually set to Black, Red, Green, Yellow, Blue, Magenta, Cyan, or White.Each graticule mode can be independently configured.


IRE Mode Standard

HDR Mode Custom Thresholds

IRE Mode Custom Thresholds

Digital Levels Custom Thresholds

Video Scopes

In addition to Real Time Scopes a wide variety of additional scopes and meters are available. Display up to two scopes on screen at a time. Scopes can be positioned in any of 6 on screen positions. When using two scopes the scope windows can be stacked horizontally or vertically depending on your preference. Video scopes work across all inputs, even DVI.


RGB Parade
Parade waveform. Adjustable parade intensity. Levels above or below 100IRE showin in white for easier identification.

Audio Meters

This monitor features several audio metering tools as well as the ability to disembed any single channel or stereo pair of audio to the monitor’s internal speakers or audio line out. Disembedded audio is always delayed by the exact amount of video processing time to ensure proper lip-sync.

Horizontal Audio Level Meters

Display 2, 8, or 16 channels of audio arranged in audio groups or stereo pairs with real-time numerical display of dB levels per channel. Meters feature adjustable Alignment Level, Permitted Max Level, and Peak Hold Time. Select between True Peak, PPM Type I, or PPM Type II ballistics. Meters will indicate NO DATA if an audio group is not embedded in the signal to differentiate it from audio channels that may be mute, but still embedded.


Vertical Audio Level Meters
16 channel audio level meter display with adjustable Alignment Level, Permitted Max Level, and Peak Hold Time. Select between True Peak, PPM Type I, or PPM Type II ballistics. Meters will indicate NO DATA if an audio group is not embedded in the signal to differentiate it from audio channels that may be mute, but still embedded.

CIE Scope

A dedicated function that maps full frame signal data onto your choice of CIE1931 x,y or CIE1976 u’,v’ diagrams. Signal information is shown relative to your active color space and can be compared to a selectable secondary color gamut.

Measurement (8 & 10bit)

Get precise real-time YRGB measurements, both as a percentage and 8 or 10bit data values, of any point or sample area within your incoming signal. Set a spatial and temporal reference and compare with any other point to quantify the difference in values between any two points. Also quantify the difference in points as an F/stop value.

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CIE Measurement

Visualize any point or sample area within your incoming signal on your choice of CIE 1931 x,y or CIE1976 u’,v’ diagrams. Values are shown relative to your current operating color space and regardless of diagram mode R’,G’,B’, Y%, x,y,u’,v’ values are reported at all times. As with the standard measurement mode a reference position can be selected and compared to any other position. The difference between current and reference positions is also quantified with a dE2000 value.


Video Data Analyzer

Provides real-time readout of video data at the pixel level in your choice of decimal or hexadecimal values. Can show pixel level information as YCbCr or RGB as well as 8bit or 10bit.This feature can be used in combination with the H/V delay mode for horizontal and vertical blanking data analysis.

标记

Choose from a wide assortment of standard markers and safety areas that can be displayed as lines, translucent overlays, or solid overlays. Lines and overlays have selectable colors for instant customization.

Don’t see the marker you need here? Send it to us as a 1920×1080 .bmp file and we can add it in a future firmware update.


Crosshatch

Generate an onscreen grid overlay with the Crosshatch function to help with camera pitch and angle relative to screen content.

Custom Graticules

Create custom rectangular markers quickly with the Custom Graticules feature that generates four movable lines on screen. Graticule line position and span between lines is reported for easy reference.

Live Side-By-Side Monitoring

FSI’s unique live side-by-side monitoring feature allows for mixed formats, mixed frame rates, and even mixed input types to be viewed together in PAP, PIP, or POP configurations.

Split-Screen Viewing

Horizontal and vertical split-screen viewing with adjustable split positioning is also possible with two sources that share the same resolution and frame-rate.

Lum Coloring (Adjustable Exposure Check)

Adjustable false color display of luminance values. 4 adjustment points allowing you to establish specific target areas to be shown in false color or greyscale.

Timecode

Size and position adjustable onscreen display of VITC1, VITC2, or LTC timecode pulled from SDI signals.

Tally Lights & Record Status Tally

Tally Light or on screen indication of camera record flag status pulled from SDI ancillary data. Let’s you know when your camera is recording without needing additional equipment.

*Not compatible with all cameras, camera must output recongnized SDI flag. AM420 and AM550 have on-screen tally only.

Zoom Modes

Pixel Zoom

For HD signals. Allows for highly adjustable artifact free zoom on any section of the image.

Zoom

For letterboxed SD content. Zooms in while preserving aspect ratio so that a 16:9 portion of the SD image is scaled full screen.

DSLR Zoom

Scales DSLR output so that only the portion of the image that will actually be captured to video is shown. Works with both SD and HD DSLR output.

Full Screen

Stretches the incoming signal to fill screen, built for use primairly with rasterizers that output 1024×768 signals intended to be stretched to 16:9 by a connected display.

CX Scale

Centered and zoomed-in display of the gate check output from a Codex ARRIRAW Recorder. This allows for easy fullscreen monitoring of the gate check output.

Overscan

5% Overscan Display.

Pixel Mapping

Allows for 1:1 and 2:1 pixel mapping of sources when their resolution is different than the native resolution of the panel. This feature is also capable of scaling 2K signals to fit or be shown 1:1 with the ability to move left to right so any portion of the 2K image can be shown 1:1.

1:1 Pixel Mapping (SD)
2:1 Pixel Mapping (SD)
1:1 Pixel Mapping (720p)
Pixel Mapping (2k Source)

SD Aspect Ratio & PAL SD FHA

Allows users to toggle from 4:3 to anamorphic display of SD signals. Can be combined with the pixel mapping feature for proper display of PAL SD FHA signals.

Anamorphic De-Squeeze

1.3x, 1.3x mag, 2.0x, and 2.0x mag anamorphic de-squeeze for use with HD signals.

Blue Only, Red Only, Green Only, and Monochrome

Blue Only, Blue Only Mono, Red Only, Red Only Mono, Green Only, Green Only Mono, standard Monochrome

Onscreen Alarms

Allows for unobtrusive signal monitoring with alarm window only appearing in case an actual alarm condition is met. Available alarms include adjustable IRE threshold exceeded, RGB legal levels exceeded, video black or video blue on screen for extended time, audio loss with adjustable time-without-audio trigger setting, and audio out of phase warning.

H/V Delay

Horizontal and Vertical delay function with auto brightness increase to make analyzing vertical and horizontal blanking areas easier.

AFD Reader

The Active Format Description reader provides both a textual readout of AFD data as well as corresponding markers highlighting the information contained within the AFD code.

Safety Broadcast

Control Room and QC station monitoring mode that allows for simultaneous display of Timecode, Source ID, 2 channels of audio, and alarms.

UMD/OMD Display

Manual or remotely controlled source ID display on screen.

Log Monitoring Modes

C-Log, S-Log, S-Log2, S-Log3, and BMD-Log monitoring modes allow for rough normalization or C-Log, S-Log, S-Log2, S-Log3, and BMD Film Log signals.

HDR Preview

These monitoring modes, while not intended for HDR mastering, provide a simple and cost effective way to preview HDR in production environments and quality control applications.
· HLG (Hybrid Log Gamma).
· ST2084 clipping at approximately 300nits.
· ST2084 with a soft roll. This setting allows operators to visually distinguish all code values present in a PQ signal.

3D Disparity

A disparity view highlighting the difference between SDI1 and SDI2 inputs. Sources must be the same frame rate, resolution, and genlocked.

Still Frame

Pause on a single frame of an incoming source with a simple button press.

LED Lights

Allows users to turn off the monitor keypad’s LED Lights for optimal viewing in dark envrionments.

Luminance Interval

Optional power saving feature especially useful in control room applications. Monitor will go into low power draw standby mode when no signal is present for the amount of time specified.

Remote Control

GPI Contact Closure, Ethernet.